The Dandy Warhols – Live Sonic Disruption

$29.99

Live radio broadcast from Geneva, 2017, at the Salle du Lignon (Festival Antigen). The band notes: “We mixed this record in record time. I’ve heard too many “live” records that clearly got the life mixed outta them by spending too…

In stock

or pay with

Guaranteed Secure Checkout — 256-bit SSL

Record Details

EXCLUSIVE
LabelCOBRASIDE/BEAT THE WORLD
Catalog NoCSDLP 1195
Format2× Vinyl LP
CountryUnited States
Barcode0829707959516
ConditionNew / Sealed
Guaranteed Safe Checkout

The Dandy Warhols Live Sonic Disruption vinyl is a 2017 Geneva radio broadcast pressed to LP through COBRASIDE and BEAT THE WORLD Records, mixed by the band themselves with the explicit intention of capturing live energy rather than correcting it into something cleaner than what the night actually was.

The Band

The Dandy Warhols formed in Portland, Oregon in the early 1990s and have maintained an active recording and touring presence across three decades. Courtney Taylor-Taylor’s songwriting combines psych rock textures, pop hooks, and a sardonic intelligence that operates differently from most bands working in the same sonic territory. Their catalog includes Thirteen Tales From Urban Bohemia, which contains both Bohemian Like You and a body of more experimental work that the single alone does not represent fairly. They have never been purely a commercial proposition, which is part of why COBRASIDE makes sense as a US label partner for a live release like this one.

The Dandy Warhols Live Sonic Disruption vinyl: The Recording

The broadcast came from the Salle du Lignon in Geneva during the Festival Antigen in 2017. The Dandy Warhols mixed the record themselves, with Taylor-Taylor explicitly noting that they had heard too many live records where the life had been corrected out of the performance in post-production. The mix on Live Sonic Disruption preserved the room, the bleed between instruments, and the imperfections that make a live recording sound like a live recording rather than a studio album with applause carefully placed around it. That approach is a production philosophy and a statement about what the format is supposed to do. The result is a document of the band in a specific room on a specific night, not a cleaned-up approximation.

The Pressing

COBRASIDE and BEAT THE WORLD pressing this as a vinyl LP is the right decision for a live record mixed with this ethos. The format suits the intentionally raw presentation and the analog source material that a radio broadcast captures. If you collect The Dandy Warhols or follow COBRASIDE’s catalog, Live Sonic Disruption gives you a document that the band themselves treated as a serious release rather than an archival footnote. The Geneva performance stands on its own as a document of a band that had been playing together for twenty-five years and still knew how to fill a room.