180 gram mono audiophile vinyl pressing! Analog Cut from the Original 1964 Mono Master! Using the original 1964 mono master, new lacquers have been cut all-analogue by Kevin Reeves at Nashville’s East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new four-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing. Mastering Notes Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape. Features Audiophile 180g Vinyl LP All Analog Mono Lacquers Cut from the Original 1964 Mono Master by Kevin Reeves at East Iris Studios in Nashville Faithfully Replicated Artwork New 4-Panel Insert with Essay by Bruce Spizer
01. I’LL CRY INSTEAD
02. THINGS WE SAID TODAY
03. ANY TIME AT ALL
04. WHEN I GET HOME
05. SLOW DOWN
06. MATCHBOX
07. TELL ME WHY
08. AND I LOVE HER
09. I’M HAPPY JUST TO DANCE WITH YOU
10. NIF I FELL
11. KOMM, GIB MIR DEINE HAND (I WANT TO HOLD YOUR HAND SUNG IN GERMAN)
