Father – Who’s Gonna Get Fucked First?

$43.99

In a unique and new partnership between Awful Records and Blackhouse Records, “Who’s Gonna Get Fucked First?” from Atlanta powerhouse rapper and Awful Records CEO Father, is the second of a series of upcoming Awful Records physical releases seeing a limited edition vinyl release, exclusively manufactured and distributed via Blackhouse Records. Released in tandem with his debut full length album, “Young Hot Ebony”, WGGFF is dark, depraved, confrontational, perverted, and dripping with sexual tension. Arguably his finest work, WGGFF features appearances from ABRA, Slug Christ, and many more. Deeply rooted in Atlanta, Georgia’s art scene and crossing over into the hiphop and trap scenes, “Who’s Gonna Get F*cked First” is the record that put Father on the map, and is an absolutely perfect sophomore release. Limited to 500 copies, and comes with download code and 12″ x 12″ 16 page photobook.

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Record Details

EXCLUSIVEIN DEMAND
LabelBLACKHOUSE
Catalog NoBH999 75
FormatVinyl LP
CountryUnited States
Barcode0814867024341
ConditionNew / Sealed
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Father Who’s Gonna Get Fucked First? vinyl is a limited edition LP from Atlanta rapper Father, released through a partnership between Awful Records and Blackhouse Records as part of a series of physical vinyl releases from the Awful Records catalog. This was the record that established Father as a significant voice in Atlanta’s art and hip-hop scene, and it arrived in tandem with his debut full-length album Young Hot Ebony.

Father Who’s Gonna Get Fucked First? vinyl: The Record

Father positioned himself as both an artist and the CEO of Awful Records, and WGGFF reflects that dual identity. The record is dark, confrontational, and deliberately provocative in its content, pulling from the trap and hip-hop scenes while staying grounded in the Atlanta art world that surrounded Awful Records at the time. The features are from within the Awful Records orbit, including ABRA and Slug Christ, which gives the record a cohesive world-building quality. This is not a record trying to appeal to a mainstream audience. It was made for a specific community and carries that specificity throughout.

The Limited Edition Packaging

This vinyl pressing was limited to 500 copies and comes with a download code and a twelve-inch by twelve-inch sixteen-page photobook. That’s a significant package for an independent release, and it reflects how seriously Awful Records and Blackhouse treated the physical artifact. The photobook adds a visual dimension to the record that’s worth having alongside the music. At 500 copies, this is genuinely limited, and the secondary market has reflected that.

Awful Records and Blackhouse

The partnership that produced this pressing brought together Awful Records’ creative community with Blackhouse’s distribution capabilities. It was explicitly the second in a series of Awful Records physical releases, which signals that both labels took the catalog seriously enough to invest in the infrastructure for ongoing vinyl releases. For collectors interested in the Atlanta underground hip-hop and art scene of the mid-2010s, this record documents a specific moment in how that scene organized itself and put out physical music.

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