The Inwolves Inwolves vinyl is a self-titled LP from Belgian project Inwolves, released on Ghent-based label Consouling Sounds under catalog number SOULLP 71, and it represents a significant step forward from the group’s earlier work. Karen Willems, a drummer with deep roots in the Belgian experimental and post-rock scene through work with Yuko, Zita Swoon Group, and Cycle alongside Dirk Serries, leads the project with a clear sense of purpose. This is not a side experiment. Inwolves is a fully realized artistic statement.
What Inwolves Inwolves vinyl delivers
Built around drums, guitar, and synths, with Jurgen De Blonde and Ward Dupan contributing alongside Willems, the album takes the foundation laid on the group’s 2014 release Air + and pushes it into more urgent, focused territory. The intensity that felt latent on that earlier record surfaces openly here. The reference points are identifiable: kosmische Musik from the seventies, analogue electronics in their contemporary recycled form, dynamic sound-painting as a compositional tool. But Inwolves doesn’t sit comfortably inside any one of those categories. The music moves between surprising intimacy and semi-industrial chaos, between grand cinematic weight and quiet, concentrated texture. Rhythm and silence carry equal structural importance throughout.
The album’s structure and Willems’ vision
What makes this record hold together as a listening experience is its suite-like cohesion. The tracks don’t function as isolated pieces. They develop organically, ideas interweaving and transforming across the album’s arc in a way that reflects Willems’ background as a drummer with a strong sense of how music breathes and shifts over time. There is an ominous quality running through the record, but also genuine electricity. Light and darkness coexist without either cancelling the other out. The album is compact, which works in its favor. Nothing is stretched beyond its purpose.
Why this pressing belongs in your collection
Consouling Sounds has built a reputation for carefully handled releases within experimental, post-rock, and drone-adjacent music, and this LP fits squarely within that tradition. The catalog number SOULLP 71 places it within a label discography that collectors of heavy and adventurous music have followed closely. For anyone interested in the Belgian underground scene, in the lineage of kosmische and analogue electronics, or in the broader world of instrumental music that resists easy classification, this record is a worthwhile and specific acquisition. Willems’ drumming-led compositional approach gives the album a physical, tactile quality that benefits particularly from the vinyl format, where the low-end presence and dynamic range have room to land properly. This is music that rewards full attention and a decent pair of speakers.


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