LANKUM – FALSE LANKUM is one of the most striking records to come out of Dublin in years, a fourth album from a band who have spent nearly a decade reshaping what traditional Irish folk music can sound like and where it can go.
Who Lankum Are and Why This Record Matters
Lankum built their reputation slowly and seriously. Their 2019 album The Livelong Day broke them to a wider audience, earning the RTE Choice Music Prize, Ireland’s equivalent of Album of the Year, and landing at number eight on NPR Music’s best albums list for that year. That record announced a band willing to take traditional source material and pull it somewhere darker and more physically intense than most folk acts would dare. False Lankum, released March 24, 2023 on Rough Trade Records, is the follow-up that confirms that trajectory was not a fluke. It is their third record for Rough Trade and sits comfortably alongside label contemporaries like Black Midi and Gilla Band, which tells you something about the kind of ambition at play here.
LANKUM – FALSE LANKUM: The Sound and the Songs
The album’s 12 tracks include 10 traditional songs and two originals, both written by Daragh Lynch: Netta Perseus and The Turn. The band worked again with producer John Spud Murphy, and the record was conceived from the beginning as a complete listening journey, with deliberate contrast built in between passages of near-spiritual quiet and sections described by the band themselves as horror-inducing. Heavy drones, sonic distortion and an increasingly experimental approach to arrangement are the tools here. One specific highlight is Go Dig My Grave, a track sourced by Radie Peat from the singing of Jean Ritchie, whose 1963 recording on Jean Ritchie and Doc Watson at Folk City provided the particular version Lankum drew from. That song belongs to a family of ballads assembled largely from floating verses, some with roots stretching back to the 17th century. The care taken in that kind of sourcing is typical of the band’s approach throughout. Bob Boilen of NPR Music named it his album of the year, citing Portishead and Brian Eno as reference points.
The Pressing: Catalog Details and Collector Notes
This is the standard LP pressing on Rough Trade Records, catalog number RT 392. Rough Trade pressings of this period are well regarded for quality and consistency, and this is the release that introduced the record to the world. For collectors focused on contemporary folk, experimental music, or the broader Rough Trade catalog, this is a straightforward and important addition. The album’s reputation has grown steadily since release, and physical copies carry the full weight of an album designed, explicitly, to be heard as a single uninterrupted statement. That intention is better served by vinyl than by any other format.

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