This copy of the Mf Doom (Doom) Born Like This vinyl is one of those records that belongs in a serious hip-hop collection, full stop. Released on Lex Records under catalog number LEX 69, this LP arrived as DOOM’s final studio album under the MF DOOM name and carried the full weight of an artist operating entirely on his own terms. It is raw, dense, and deliberate, the kind of record that rewards close listening and rewards it again on the turntable.
Why Mf Doom (Doom) Born Like This Vinyl Matters
DOOM spent his career building a body of work that refused easy categorization. Born Like This sits at the end of that arc as a statement rather than a continuation. The production is abrasive and layered, the rhymes are constructed with the obsessive wordplay DOOM became known for across projects like Madvillainy and MM..FOOD. This is not an album that makes concessions to accessibility, and that is precisely what makes it compelling. It is confrontational and literary in equal measure, drawing from Charles Bukowski in its title and general sensibility. For collectors who have followed DOOM’s catalogue, this record represents a closing chapter that feels genuinely earned.
Features and Pressing Details
This pressing comes out of Lex Records, the UK-based independent label that has consistently prioritized quality and curatorial integrity across its catalogue. The catalog number LEX 69 places it firmly within the label’s run of thoughtful, well-packaged releases. The album includes guest appearances from Ghostface Killah and Raekwon, two of the most respected voices in New York hip-hop, which adds considerable weight to the record’s lineup. Those features are not decorative. They fit the album’s tone and push its intensity forward in specific moments that long-time listeners will recognize immediately.
Who Should Own This Record
If you collect hip-hop on wax with any seriousness, Born Like This is a gap worth closing. DOOM’s death in 2020 meant that his catalogue immediately became finite in a way that felt different from most artists, and demand for physical pressings has reflected that reality. Lex Records maintained strong production standards on their releases, and this LP is no exception. The format suits the music well. The density of DOOM’s compositions benefits from the warmth and presence that vinyl brings to hip-hop production, particularly on a record this layered and textured. This is the kind of album you pull out when you want to listen properly, with the full ritual of vinyl, not just as background noise. If that sounds like your approach to records, this one belongs on your shelf.
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