Muluken Mellesse – Muluken Mellesse With the Dahlak Band

$47.70

It was three tracks by Muluken that served as the opener for éthiopiques-1 more than 25 years ago. Seven more tracks appeared on éthiopiques-3 and 13, all accompanied by The Equators, which was soon to become the Dahlak Band. The first track, Hédètch alu, also the very first piece that Muluken ever recorded, left audiences both unsettled and amazed. Reflecting the singer’s extremely young age (he was just 17 at the time), this angelic voice mystified many, who thought they were in fact listening to a feminine voice. He was not yet 22 when he released his last vinyl record in 1976 with Kaifa Records (KF 39LP), one of the very last to be issued in Ethiopia, before the cassette tape became the dominant medium for music distribution and before the new revolutionary regime put a stop to all independent musical life, via an unspeakable barrage of prohibitions and other persecutions. Mulu qèn, literally, “A well filled day”. This tender maternal intention wasn’t enough to ward off the cruelty of fate. His mother’s premature death drove Muluken to leave his native Godjam, in northeast Ethiopia, to live with an uncle in Addis Ababa. Born Muluken Tamer, he took his uncle’s last name Mèllèssè.

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Record Details

LabelHEAVENLY SWEETNESS
Catalog NoHSVL 276
FormatVinyl LP
CountryIM
Barcode3521381603910
ConditionNew / Sealed
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It was three tracks by Muluken that served as the opener for éthiopiques-1 more than 25 years ago. Seven more tracks appeared on éthiopiques-3 and 13, all accompanied by The Equators, which was soon to become the Dahlak Band. The first track, Hédètch alu, also the very first piece that Muluken ever recorded, left audiences both unsettled and amazed. Reflecting the singer’s extremely young age (he was just 17 at the time), this angelic voice mystified many, who thought they were in fact listening to a feminine voice. He was not yet 22 when he released his last vinyl record in 1976 with Kaifa Records (KF 39LP), one of the very last to be issued in Ethiopia, before the cassette tape became the dominant medium for music distribution and before the new revolutionary regime put a stop to all independent musical life, via an unspeakable barrage of prohibitions and other persecutions. Mulu qèn, literally, “A well filled day”. This tender maternal intention wasn’t enough to ward off the cruelty of fate. His mother’s premature death drove Muluken to leave his native Godjam, in northeast Ethiopia, to live with an uncle in Addis Ababa. Born Muluken Tamer, he took his uncle’s last name Mèllèssè.

01. JEMEREGNE
02. HELMHONESH ATKRY
03. GUBEL KEZEBA
04. YEMENJAR SHEGA
05. BENEMOT
06. WOUB ABEBA
07. MEWDEDESHIN BETAWKIW
08. BAYISH DESS YLEGNAL
09. KESET ESWA BICHA
10. YEZETA

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LP

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